rhythminmind.net

Disaffected Suite

by rhythminmind on Aug.22, 2010, under 1. Music

Disaffected Suite by Rhythm In Mind
Abstract four song analog experiment EP.. The outcome of drums, analog synths, mangled distortions, & questionable sanity.

Back Story: I’m about to turn the page & enter a new musical direction. Over the past couple months I’ve had to reevaluate my methods & tools for creating music. I was finding myself dissatisfied with both the process & final outcome. So I worked out my method, reasoning,  & invested in some tools to help that process along. Before I start this next phase I’ve created this abstract four song analog experiment from the music created during this “testing” period. I found these four tracks to have recurring themes & worked well in series. (Similar drum feels, Rhodes lines, & chaotic bass/synth phrases).
Some have heard these as works in progress & premasters. For those that haven’t you might find something to enjoy or relate with. All in all it’s an interesting flow of noize.

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Flow

by rhythminmind on Feb.02, 2009, under 1. Music, Flow

Preview of tracks in the works for the upcoming album “Flow”

Flow by Rhythm In Mind

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The Mandala testing begins.

by rhythminmind on Aug.19, 2010, under Random, Video

Well I hate that it uses USB but I think more Mandalas will be added to the wish list.

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Synths

by rhythminmind on Jul.19, 2010, under 2. Tools, Synths

  • Moog Voyager RME with full CV breakouts
  • Oberkorn MKIII
  • Vermona DRM MIII
  • MFB 502
  • DSI Prophet 08
  • Flame Clockworks
  • DSI Mopho
  • Thingamoop 1,kit ,& 2 with CV
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Hello, my name is Eric, and I’m an Compaholic.

by rhythminmind on Apr.22, 2010, under 2. Tools, Processors

I just acquired two OverStayer “OS” stereo FET compressors. Being the drummer I am these are a dream come true. I’ve only dipped my hand in the pool with these guys but my 1st impression is “damn thats nice”.

As a test I let my Flame clockwork & Moog voyager run random & got behind the drum kit to play along. I stuck one OS on the drum bus, & one on the Moog bus. The drum bus OS really brings out some resonance & glued punch to the kit. The other added some nice dirt/body to the synth. I’ll share more “analytical” thoughts/test files shortly once i’m off my gear high, but all in all these things just sound great & have a feature set I’ve been needing for some time now. Highly recommend.

Audio Examples. (FYI – Lowend/Sub is a bit out of control)

Hello, my name is Eric, and I’m an Compaholic. by Rhythm In Mind

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AKG C 414 B-ULS vs Earthworks SR78 for drum overhead applications.

by rhythminmind on Apr.19, 2010, under 2. Tools, Mics

I wanted to see how the 414 & SR78 measured up for overhead duties. Both work exceptionally well but with drastically different outcomes. I personally prefer the SR78′s. By design they roll off the lowend when not used as close spot mics. This is perfect when used with other individual drum mics. If one had to only use two mics, then the 414 would be a much fuller sound. With my setup I prefer the improved mid&high end clarity from the SR78′s when used in conjunction with others in a mix. Rides just sing with the sr78′s

AKG C 414 B-ULS vs Earthworks SR78 for drum overhead applications. by Rhythm In Mind

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Ratting up that drum bus. (Drum distortion)

by rhythminmind on Apr.19, 2010, under 2. Tools, Processors

I’m a fan of over the top drum sounds. Sometimes full on distortion is what a track calls for. One of my favorite tools for this is the RAT Deucetone. (as the clueless guitar snob salesman called it “douchetone”). I enjoy the power of analog distortion.  It’s a great duel input distortion stompbox that is just begging to be used on a bus insert.

Ratting up that drum bus. (Drum distortion) by Rhythm In Mind

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Studio/Gear

by rhythminmind on Apr.13, 2010, under 2. Tools, Mics

Update Pending:

Microphones

Sennheiser

  • e602
  • e609
  • 4 x e604

Red

  • Type-B R8 Bottle

Earthworks

  • 2x SR78

Groovetube

  • MD2

AKG

  • 3×414′s

Audio-technica

  • 2×4041′s
  • PRO 35

Audix

  • D1
  • D2
  • D3
  • D4
  • D6

Shure

  • Beta 52
  • Beta 56
  • 3 x SM58

Mic Pres

  • CLM Dynamics DB8000s
  • John Hardy M1
  • Seventh Circle Audio modular
  • TC Electronic

Dynamics

* to be listed

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Flow – Released

by rhythminmind on Dec.21, 2009, under Flow

The analog experiment titled “Flow” has been released on Octofoil Records. This release is available on all major digital music distributors.   &  Rhythm In Mind - Flow

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Joins Octofoil Records

by rhythminmind on Sep.28, 2009, under Uncategorized

On 9/13/09 “Rhythm In Mind” joined Octofoil Records. The upcoming full-length release “Flow” will be released digitally on Octofoil Records soon!

Source: www.octofoil-records.com
Octofoil Records was founded in 2008 as an independent label committed to releasing quality limited edition electronica embracing a darker aesthetic. It is a small artist-run label that believes in cross promotion, collaboration, and integrity.  Release formats will include compact disc and digital downloads.

Octofoil Records is ambition without pretension, the notion and promotion of quality before quantity, a defender of innovation over imitation, and a designer dark chocolate of aural bliss.

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About

by rhythminmind on Sep.28, 2009, under Bio

Based in the Los Angeles area, Rhythm In Mind is a dark electronic artist and percussionist who mixes programmed experimental progressions with live traditional rhythms. Rhythm in Mind, is the brainchild of renowned sound engineer, percussionist, and music tech Eric Beam.

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The Musician::

mix

Forever seeking truer expression, Rhythm & Pulse have been my instinctual starting point for music. From childhood, being quiet and precocious, I took note of the sonic world around me that triggered my lifelong study.

Drums & Percussion have been the keystone of my life. My evolving tools of trade have and will always vary. I am an experimentalist at heart, but with a deep underlying respect for the foundation of all informed experimentalism: traditionalism.

I combine live playing, natural acoustics, & programed synthesis. Having studied under some great Musicians, my urge to learn & focus on what I can’t currently do constantly gives me creative drive. It frees me from ever growing complacent. Everything should be a work in progress.

This individualistic, ever-questing for knowledge attitude of mine has led me to be in a variety of differently focused bands and music collaborations. From rock, jazz, Celt, Middle Eastern, Indian tabla, to of course electro-industrial, & improvisational freeform. My versatility in drumming is something I’m proud of.

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Mixer/Audio engineer::

mix

My aforementioned learn-from-the-ground-up attitude has also led me to obtain a broad knowledge of Audio Engineering, which is the field in which I spend my days. I’ve been in and out of recording studios, actively producing and engineering for close to two decades. I’m an experienced Tracking/Mix/Mastering engineer for music & post production sessions and have produced music and sound design for film, web, & commercial spots, currently working at POP Sound a surround mixing house for film, music, and advertising located in Santa Monica, California.

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Looking for my audio Tools & Info? Visit signaltonoize.com

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