I found myself needing a VST plugin input destination while working on a current project. Not wanting to load a full featured cpu intensive VSTi just for routing purposes I was inspired to create this utility plugin.  I also took the time to add a direct MIDI device output.

Features :

• Stereo audio PassThru
• MIDI PassThru
• Direct MIDI Device output.

Download – Audio MIDI PassThru.zip

I’ve created this out of nothing more then annoyance. Hope it can help others in a similar situation.

Features -

• Independent Pan,Gain, & Phase Invert  for both the Left & Right Channels.
• Nifty wave scope for easy phase comparison.

Download

For NAG free versions pay what want. Pay what you feel these are worth.

Price = $YouDecide

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Dynamics/Gate -

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FFC-1 - Feed-Forward Compressor

Key Features.
NEW – External Side-Chain Input
- Detection Filters & Drive
- Key listen
- Channel Link/Unlink

Download FFC-1

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LVA-1 - Leveling Amplifier

Key Features.
- Smooth characteristic
- Unlinked/Linked stereo image processing
- Detection Filters & Drive
- Key listen

Download LVA-1

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FBC-1 - Feed-Back Compressor

Key Features.
NEW – External Side-Chain Input
- Detection Filters & Drive
- Key listen
- Channel Link/Unlink

Download FBC-1

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LIM-1 - Hard/Soft Limiter

Key Features.
- Hard/Soft modes
- Channel Link/Unlink
- Classic limiter sound (Not to be confused with modern brick-wall limiters)

Download LIM-1

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OPT-1 - Optical Compressor

Key Features.
- External Side-Chain Input
- Detection Filters
- Optical Intensity
- Key listen
- Channel Link/Unlink

Download – OPT-1

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EXP-1 - Dynamic Expander

Key Features.
- Restores dynamics
- Fast attack capability
- Detection Filters
- Key listen
- Channel Link/Unlink
- External Side-Chain Input for creative effects.

Sharing many of the same components of the widely liked FFC-1, EXP-1 is it’s reverse parter in crime.
Need to restore some dynamics to a squished mix, To much reverb on those drums tracks, or want to key trigger a synth pad off a sidechain? Check this guy out.

Download EXP-1

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GMP-1 - Gate.

Key Features.
- Fast attack with attack smooth.
- 0% noise floor 100% reduction
- Side-Chain
- Channel-Link/Unlink (stereo operation)

Gates are widely overlooked tools. Unlike some this gate is designed to give clean fast attack with drums/bass in mind.

Download – GMP-1

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EQ/Filters -

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FSP-1 - Filter-Shelving-Parametric-Equalizer

Key Features.
- Classic EQ functionality
- HighPass filter
- Dual Q modes

Download – FSP-1

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GEQ-1 - 10 band equalizer

Key Features.
- 10 bands of equalization
- 13 dB of boost/cut per band
-”Proportional Q” narrows filter Q at extremes
- Q width control.

Download – GEQ-1

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P3Q-1 - 3-Band Parametric EQ

Key Features.
- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.
- Hyper extended Q
- EQ IN switch for A/B comparison

Download P3Q-1

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EQH-1 – High frequency EQ

Key Features.

- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.
- Hyper extended Q
- Band-pass to help select frequency to modify.
- (+/-) 30db of gain.
- 12 or 24db Filter Slopes.

Download EQH-1

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EQM-1 – Mid frequency EQ

Key Features.
- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.
- Hyper extended Q
- Band-pass to help select frequency to modify.
- (+/-) 30db of gain.
- 12 or 24db Filter Slopes.

Download EQM-1

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EQL-1 – Low frequency EQ

Key Features.
- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.
- Hyper extended Q
- Band-pass to help select frequency to modify.
- (+/-) 30db of gain.
- 12 or 24db Filter Slopes.

Download EQL-1

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Peak-1 – Low frequency EQ

Key Features.
-Push/Pull style Cut & Boost.
- Slope control.
-Width control.

Download Peak-1

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Peak-2 – Mid-Range frequency EQ

Key Features.
-Push/Pull style Cut & Boost.
-Slope control.
-Width control.

Download Peak-2

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Peak-3 – High frequency EQ

Key Features.
-Push/Pull style Cut & Boost.
-Slope control.
-Width control.

Download Peak-3

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LFS-1 – Low frequency Shelf EQ

Key Features.
-Push/Pull style Cut & Boost.
-Slope control.
-Width control.

Download LFS-1

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HFS-1 – High frequency Shelf EQ

Key Features.
-Push/Pull style Cut & Boost.
-Slope control.

Download HFS-1

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LPF-1 – Low-Pass Filter

Key Features.
-Slope control.
-Extended range mode

Download LPF-1

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HPF-1 – High-Pass Filter

Key Features.
-Slope control.
-Extended range mode

Download HPF-1

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SUB-1 - Low Frequency Management

Key Features.
- 0-200 hz High-Pass/ Low-Pass modes
- Filter / Shelf EQ modes
- Slope width
- Cut / Boost

Download SUB-1

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Enhance/Color -

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SAT-1 - Saturation Enhancer

Key Features.
- Tape/Tube Models
- Flexible design to provide both subtle & extreme coloring.
- Soft-Clip Limiter
- Wet/Dry Control

Download – SAT-1

MSD-1 - Mid/Side Decoder

Key Features.
- Made to decode M/S recorded signals. (M/S Microphones)
- Mid/Side level control
- Mid/Side polarity

i/o info =
input 1 = Mid
input 2 = Side
output 1&2 = M/S mix

Download MSD-1

MSE-1 - Mid/Side Encoder

Key Features.
- Made to encode & separate stereo signals into Mid/Side information.  (Tip use both the encoder & decoder inline to process stereo content.)
- Can decrease or extract Mid/Side information. ( extract ambiance from a recording. Raise or cancel out center channel vocals.
- Mid/Side level control
- Mid/Side polarity

i/o info =
input 1&2 = stereo input
output 1&2 = M/S split or mix

Download MSE-1

Download FILTER-1

Download ADSR-1

Download SWITCH-4

Hear what the people have to say @ KVR

Updated : 04-07-08

This is a 100% transparent Four/Two Band Frequency Divider vst plugin set for use in (semi)modular mixing environments. This plugin splits your audio into bands & keeps your audio integrity intact. This can be used for frequency dependent FX & mastering purposes. It uses subtractive phase techniques as opposed to minimal phase EQ. In other words the basic signal flow design framework wont change or color your audio. You can test this by double bussing & inverting the phase.
1.1 Update: Now with 24,12,& 6db slope dividers.

Enjoy

Download- transparent-frequency-dividers.zip

Signal Flow

Bidule patch enabling the use of the PreSonus FaderPort in Live. With the help of this custom Bidule patch it converts FaderPort messages into Remote SL commands.

faderport-to-remote-sl-beta-1.bidule

Do to years of neither company wanting to supply support I have taken on the task myself.

Requirements::

FaderPort

Live

Bidule

virtual midi cable (loopback) – I use Maple Virtual Cable

FaderPort Layout.

Everything you currently see is functioning.

Bidule Setup

Live Setup

Enjoy
Updated 4-21-08: New design with 24db filters & improved signal flow for lowend separation. Still maintains 100% transparency. Best for extreme separation processing.
Audio Rack Preset – 24db-4-band-freq-divider.adg
Audio Rack Preset – 24db-3-band-freq-divider.adg
Audio Rack Preset – 24db-2-band-freq-divider.adg

Original Design: 12db filters. Best for smooth mastering processes.
Audio Rack Preset – 4-band-freq-divider.adg
Audio Rack Preset – 3-band-freq-divider.adg
Audio Rack Preset – 2-band-freq-divider.adg

Outputs To Mixer Setup – divider-example.alp

Tutorial Video.

Tip : Watch in fullscreen.

Signal Flow