Features & Info -

A military grade parallel-triode vacuum tube amplification stage. Captured from a classic American class A topology mic pre. Perfect for coloring individual sources during a mix.

• 3 (free), 5, & 7 kern (harmonics) Nebula Programs
• Utilizing a military spec Sylvania JAN 6189W/12AU7 tube
• Sampled @ 24/96 with Lynx A/D D/A

Nebula has taken the torch from standard IR convolution. This dynamic sampling technology brings hardware realism to the DAW. Learn more about the the Nebula Engine.

Free Download -

• Download - MILITARY-Tube 3 kern free - 39.6 MB

VM-Tube Nebula programs for purchase -

• MILITARY-Tube 5 kern – 66.0 MB
• MILITARY-Tube 7 kern – 92.4 MB

Requirements

• Nebula
• Windows OS (To decompress the self-extracting archive)

.

Frequency & Harmonic Plots.

Features & Info -

A pristine tube gain stage. Captured from a boutique VARIABLE MU mastering tube compressor known for it’s smooth boost characteristic. Eight vacuum tubes & custom transformers are behind this finished sound. Great for track, bus, & mastering duties.

• 3 (free), 5, & 7 kern (harmonics) Nebula Programs
• Triode tube stage with smooth frequency response.
• Sampled @ 24/96 with Lynx A/D D/A

Nebula has taken the torch from standard IR convolution. This dynamic sampling technology brings hardware realism to the DAW. Learn more about the the Nebula Engine.

Free Download -

• Download - VM-Tube 3 kern free - 52.8 MB

VM-Tube Nebula programs for purchase -

• VM-Tube 5 kern – 87.8 MB
• VM-Tube 7 kern – 123 MB

Features/Info -

A lush tube gain stage. Captured from a highly coveted tube compressor known for it’s lush/full characteristic. Eight vacuum tubes give the 1500 its unmistakable richness and depth. Great for both tracking & bus duties.

• 5 or 7 kern (harmonics) Nebula Program
• Sampled @ 24/96 with Lynx A/D D/A

Five Kern Download
Seven Kern Download

Classic Harmonic Plot

Intensity sweeps of the saturation modes. Here you can see the added harmonic content & Frequency response if changed.

Class A Tube Mic Pre Amplifier – Vintage Motorcity

——————————————————————————

Class A Tube Mic Pre Amplifier – German

——————————————————————————

Class A Discrete Pre Amplifier – British

——————————————————————————

Class A Discrete JFet Pre Amplifier – Modern

——————————————————————————

Class A Tube Mic Pre Amplifier – 1951

——————————————————————————

Class A Tube Mic Pre Amplifier – Tape Deck

——————————————————————————

15ips Tape

——————————————————————————

30ips Tape

——————————————————————————

Transformer American

For NAG free versions pay what want. Pay what you feel these are worth.

Price = $YouDecide

————————————————————————————————-

Dynamics/Gate -

————————————————————————————-

FFC-1 - Feed-Forward Compressor

Key Features.
NEW – External Side-Chain Input
- Detection Filters & Drive
- Key listen
- Channel Link/Unlink

Download FFC-1

—————————————-

LVA-1 - Leveling Amplifier

Key Features.
- Smooth characteristic
- Unlinked/Linked stereo image processing
- Detection Filters & Drive
- Key listen

Download LVA-1

—————————————-

FBC-1 - Feed-Back Compressor

Key Features.
NEW – External Side-Chain Input
- Detection Filters & Drive
- Key listen
- Channel Link/Unlink

Download FBC-1

—————————————-

LIM-1 - Hard/Soft Limiter

Key Features.
- Hard/Soft modes
- Channel Link/Unlink
- Classic limiter sound (Not to be confused with modern brick-wall limiters)

Download LIM-1

—————————————-

OPT-1 - Optical Compressor

Key Features.
- External Side-Chain Input
- Detection Filters
- Optical Intensity
- Key listen
- Channel Link/Unlink

Download – OPT-1

—————————————-

EXP-1 - Dynamic Expander

Key Features.
- Restores dynamics
- Fast attack capability
- Detection Filters
- Key listen
- Channel Link/Unlink
- External Side-Chain Input for creative effects.

Sharing many of the same components of the widely liked FFC-1, EXP-1 is it’s reverse parter in crime.
Need to restore some dynamics to a squished mix, To much reverb on those drums tracks, or want to key trigger a synth pad off a sidechain? Check this guy out.

Download EXP-1

—————————————-

GMP-1 - Gate.

Key Features.
- Fast attack with attack smooth.
- 0% noise floor 100% reduction
- Side-Chain
- Channel-Link/Unlink (stereo operation)

Gates are widely overlooked tools. Unlike some this gate is designed to give clean fast attack with drums/bass in mind.

Download – GMP-1

—————————————-

EQ/Filters -

————————————————————————————-

FSP-1 - Filter-Shelving-Parametric-Equalizer

Key Features.
- Classic EQ functionality
- HighPass filter
- Dual Q modes

Download – FSP-1

—————————————-

GEQ-1 - 10 band equalizer

Key Features.
- 10 bands of equalization
- 13 dB of boost/cut per band
-”Proportional Q” narrows filter Q at extremes
- Q width control.

Download – GEQ-1

—————————————-

P3Q-1 - 3-Band Parametric EQ

Key Features.
- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.
- Hyper extended Q
- EQ IN switch for A/B comparison

Download P3Q-1

—————————————-

EQH-1 – High frequency EQ

Key Features.

- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.
- Hyper extended Q
- Band-pass to help select frequency to modify.
- (+/-) 30db of gain.
- 12 or 24db Filter Slopes.

Download EQH-1

—————————————-

EQM-1 – Mid frequency EQ

Key Features.
- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.
- Hyper extended Q
- Band-pass to help select frequency to modify.
- (+/-) 30db of gain.
- 12 or 24db Filter Slopes.

Download EQM-1

—————————————-

EQL-1 – Low frequency EQ

Key Features.
- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.
- Hyper extended Q
- Band-pass to help select frequency to modify.
- (+/-) 30db of gain.
- 12 or 24db Filter Slopes.

Download EQL-1

—————————————-

Peak-1 – Low frequency EQ

Key Features.
-Push/Pull style Cut & Boost.
- Slope control.
-Width control.

Download Peak-1

—————————————-

Peak-2 – Mid-Range frequency EQ

Key Features.
-Push/Pull style Cut & Boost.
-Slope control.
-Width control.

Download Peak-2

—————————————-

Peak-3 – High frequency EQ

Key Features.
-Push/Pull style Cut & Boost.
-Slope control.
-Width control.

Download Peak-3

—————————————-

LFS-1 – Low frequency Shelf EQ

Key Features.
-Push/Pull style Cut & Boost.
-Slope control.
-Width control.

Download LFS-1

—————————————-

HFS-1 – High frequency Shelf EQ

Key Features.
-Push/Pull style Cut & Boost.
-Slope control.

Download HFS-1

—————————————-

LPF-1 – Low-Pass Filter

Key Features.
-Slope control.
-Extended range mode

Download LPF-1

—————————————-

HPF-1 – High-Pass Filter

Key Features.
-Slope control.
-Extended range mode

Download HPF-1

—————————————-

SUB-1 - Low Frequency Management

Key Features.
- 0-200 hz High-Pass/ Low-Pass modes
- Filter / Shelf EQ modes
- Slope width
- Cut / Boost

Download SUB-1

—————————————-

Enhance/Color -

————————————————————————————-

SAT-1 - Saturation Enhancer

Key Features.
- Tape/Tube Models
- Flexible design to provide both subtle & extreme coloring.
- Soft-Clip Limiter
- Wet/Dry Control

Download – SAT-1

MSD-1 - Mid/Side Decoder

Key Features.
- Made to decode M/S recorded signals. (M/S Microphones)
- Mid/Side level control
- Mid/Side polarity

i/o info =
input 1 = Mid
input 2 = Side
output 1&2 = M/S mix

Download MSD-1

MSE-1 - Mid/Side Encoder

Key Features.
- Made to encode & separate stereo signals into Mid/Side information.  (Tip use both the encoder & decoder inline to process stereo content.)
- Can decrease or extract Mid/Side information. ( extract ambiance from a recording. Raise or cancel out center channel vocals.
- Mid/Side level control
- Mid/Side polarity

i/o info =
input 1&2 = stereo input
output 1&2 = M/S split or mix

Download MSE-1