For NAG free versions pay what want. Pay what you feel these are worth.

Price = $YouDecide

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P3Q-1 - 3-Band Parametric EQ

Key Features.

- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.

- Hyper extended Q

- EQ IN switch for A/B comparison

Download P3Q-1

LVA-1 - Leveling Amplifier

Key Features.
- Smooth characteristic
- Unlinked/Linked stereo image processing
- Detection Filters & Drive
- Key listen

Download LVA-1

FBC-1 - Feed-Back Compressor

Key Features.
- Detection Filters & Drive
- Key listen
- Channel Link/Unlink

Download FBC-1

FFC-1 - Feed-Forward Compressor

Key Features.
- Detection Filters & Drive
- Key listen
- Channel Link/Unlink

Download FFC-1

LIM-1 - Hard/Soft Limiter

Key Features.
- Hard/Soft modes

- Channel Link/Unlink

- Classic limiter sound (Not to be confused with modern brick-wall limiters)

Download LIM-1

EQH-1 - High frequency EQ

Key Features.

- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.

- Hyper extended Q

- Band-pass to help select frequency to modify.

- (+/-) 30db of gain.

- 12 or 24db Filter Slopes.

Download EQH-1

EQM-1 - Mid frequency EQ

Key Features.

- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.

- Hyper extended Q

- Band-pass to help select frequency to modify.

- (+/-) 30db of gain.

- 12 or 24db Filter Slopes.

Download EQM-1

EQL-1 - Low frequency EQ

Key Features.

- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.

- Hyper extended Q

- Band-pass to help select frequency to modify.

- (+/-) 30db of gain.

- 12 or 24db Filter Slopes.

Download EQL-1

Peak-1 - Low frequency EQ

Key Features.

-Push/Pull style Cut & Boost.

- Slope control.

-Width control.

Download Peak-1

Peak-2 - Mid-Range frequency EQ

Key Features.

-Push/Pull style Cut & Boost.

- Slope control.

-Width control.

Download Peak-2

Peak-3 - High frequency EQ

Key Features.

-Push/Pull style Cut & Boost.

- Slope control.

-Width control.

Download Peak-3

LFS-1 - Low frequency Shelf EQ

Key Features.

-Push/Pull style Cut & Boost.

- Slope control.

-Width control.

Download LFS-1

HFS-1 - High frequency Shelf EQ

Key Features.

-Push/Pull style Cut & Boost.

- Slope control.

Download HFS-1

LPF-1 - Low-Pass Filter

Key Features.

- Slope control.

-Extended range mode

Download LPF-1

HPF-1 - High-Pass Filter

Key Features.

- Slope control.

-Extended range mode

Download HPF-1

SUB-1 - Low Frequency Management

Key Features.
- 0-200 hz High-Pass/ Low-Pass modes
- Filter / Shelf EQ modes
- Slope width
- Cut / Boost

Download SUB-1

Download - 5-Band

Download - 3-Band

When your GoTo EQ just doesn’t cut it.

5-Band

Features

-Input Gain

- High-Pass Filter

- Low Frequency Shelf

- 3 Full-range Bands with Bandwidth control.

- High Frequency Shelf

- Low-Pass Filter

- Cut/Boost

- Phase Flop

- “Edge” = steep filter slope enable.

- “IN” = Enable/Disable

3-Band

Features

-Input Gain

- High-Pass Filter

- Low Frequency Shelf

- 1 Full-range Bands with Bandwidth control.

- High Frequency Shelf

- Low-Pass Filter

- Cut/Boost

- Phase Flop

- “Edge” = steep filter slope enable.

- “IN” = Enable/Disable

Schematic for (semi)-Modular hosts

Download - schematic.dll

Features.

- 100% Phase/Time aligned frequency divider.

- 8 stereo independent bands

- Gain/Attenuation & Mute for each band.

- I/O = 2in - 8out

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SchematEQ

Download - schemateq.dll

Features.

- 100% phase-less frequency divider.

- 8 stereo independent bands

- Gain/Attenuation & Mute for each band.

- I/O = 2in - 2out

This dosen’t function at all like your goto EQ inside or out. If you follow the diagram from the bottom up you see the signal splits and you end up with 8 Bands. Each horizontal box 1/2’s the frequency it receives & the slider adjusts the crossover/divide point. Above the 8 bands you will find a mute & volume pot. I recommend you stick to the top main 8 bands until you get the hang of it.

(Tip - remember the frequency range of each horizontal box gets split in half and sent to the box above it. So say you set the bottom box to split at 1000hz the above box to the left will receive 1000hz down. You will have to keep in mind that the box is only dealing with 1000hz down & that it will do no good to bring the slider past 1000hz. Each slider can handle 20-20,000 Depending on samplerate.)

Ok have fun with this beast of a thing.

Key Features.
- Phase/Time aligned 3 Band divider.
- Feed-Forward compression
- Detection Filters & Drive
- Key listen
- Side-Chain
- Musical

Download - multi-comp-1 win VST

Download - Manual

Tutorials -

Ableton Live Multi Comp-1 Side-Chain Tutorial.

Create a track to compress & a Source to feed the side-chain.

2. Insert Multi Comp-1 into the track that you want to compress.

3. Select what Band(s) you want to side-chain compress in Multi Comp-1

4. Send the audio from the Side-Chain source to Multi Comp-1

5. Now choose what band(s) you want to feed.

That’s it. Hit play and adjust Multi Comp-1 to your liking.

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Reaper Multi Comp-1 Side-Chain Tutorial.

Create a track to compress & a Source to feed the side-chain.

2. Insert Multi Comp-1 into the track that you want to compress.

3. Set the track to be compressed to 8 Channels.

4. Select what Band(s) you want to side-chain compress in Multi Comp-1

5. Now disable the Master send from the side-chain source if you don’t want to it to be audible. Then send the signal to the appropriate Multi Comp-1 side-chain input.

That’s it. Hit play and adjust Multi Comp-1 to your liking.

These cover just about all compression needs for musical applications. I have included a Feed-Forward, Feed-Back, & Side-chain compressor to use as you feel necessary. I have also added optional detection circuit Filters, & Drive stage for all the vintage sounding or modern punchy color you could want. (Tip-Use the listen functional to setup your detection Key). Have fun.

More info:

Feed Forward designs take the control voltage directly from the input, and are generally more suited for fast Attack work. However a bit of practice is required as threshold, attack, and release affect the sound differently depending on the feed structure.

Feed Back compressors take some of their control voltage from the output, which is often interpreted as more musical-sounding. However a bit of practice is required.

Key Features.
- The choice between both Feed-Forward or Feed-Back designs
- Detection Filters & Drive
- Key listen
- Side-Chain
- Channel Link/Unlink
- Musical

If you find these tools useful please donate what you can. Donate Link.

Download - Manual

Download - Feed-Back Comp-1

Download - Feed-Back Comp-1-mono

Download - Feed-Forward Comp-1

Download - Feed-Forward Comp-1-mono

Download - Feed-Forward Side-Chain Comp-1

Download - Feed-Forward Side-Chain Comp-1-mono

Download FILTER-1

Download ADSR-1

Download SWITCH-4

Download Presets

demo.mp3

Faunas vision is intended for organic recreation. But i have also found it to be a great abstract sound design tool. Gives more interesting chaos then your everyday synth.

Hear what the people have to say @ KVR

Updated : 04-07-08

This is a 100% transparent Four/Two Band Frequency Divider vst plugin set for use in (semi)modular mixing environments. This plugin splits your audio into bands & keeps your audio integrity intact. This can be used for frequency dependent FX & mastering purposes. It uses subtractive phase techniques as opposed to minimal phase EQ. In other words the basic signal flow design framework wont change or color your audio. You can test this by double bussing & inverting the phase.
1.1 Update: Now with 24,12,& 6db slope dividers.

Enjoy

Download- transparent-frequency-dividers.zip

Signal Flow

faderport-to-remote-sl-beta-1.bidule

Do to years of neither company wanting to supply support I have taken on the task myself.

Requirements::

FaderPort

Live

Bidule

virtual midi cable (loopback) - I use Maple Virtual Cable

FaderPort Layout.

Everything you currently see is functioning.

Bidule Setup

Live Setup

Tip : Watch in fullscreen.

eb-circuit-one.fxb

Audio Demo 130 bpm - circuit-one.mp3