Audio Processing Modules

For NAG free versions pay what want. Pay what you feel these are worth.

Price = $YouDecide

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P3Q-1 - 3-Band Parametric EQ

Key Features.

- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.

- Hyper extended Q

- EQ IN switch for A/B comparison

Download P3Q-1

LVA-1 - Leveling Amplifier

Key Features.
- Smooth characteristic
- Unlinked/Linked stereo image processing
- Detection Filters & Drive
- Key listen

Download LVA-1

FBC-1 - Feed-Back Compressor

Key Features.
- Detection Filters & Drive
- Key listen
- Channel Link/Unlink

Download FBC-1

FFC-1 - Feed-Forward Compressor

Key Features.
- Detection Filters & Drive
- Key listen
- Channel Link/Unlink

Download FFC-1

LIM-1 - Hard/Soft Limiter

Key Features.
- Hard/Soft modes

- Channel Link/Unlink

- Classic limiter sound (Not to be confused with modern brick-wall limiters)

Download LIM-1

EQH-1 - High frequency EQ

Key Features.

- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.

- Hyper extended Q

- Band-pass to help select frequency to modify.

- (+/-) 30db of gain.

- 12 or 24db Filter Slopes.

Download EQH-1

EQM-1 - Mid frequency EQ

Key Features.

- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.

- Hyper extended Q

- Band-pass to help select frequency to modify.

- (+/-) 30db of gain.

- 12 or 24db Filter Slopes.

Download EQM-1

EQL-1 - Low frequency EQ

Key Features.

- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.

- Hyper extended Q

- Band-pass to help select frequency to modify.

- (+/-) 30db of gain.

- 12 or 24db Filter Slopes.

Download EQL-1

Peak-1 - Low frequency EQ

Key Features.

-Push/Pull style Cut & Boost.

- Slope control.

-Width control.

Download Peak-1

Peak-2 - Mid-Range frequency EQ

Key Features.

-Push/Pull style Cut & Boost.

- Slope control.

-Width control.

Download Peak-2

Peak-3 - High frequency EQ

Key Features.

-Push/Pull style Cut & Boost.

- Slope control.

-Width control.

Download Peak-3

LFS-1 - Low frequency Shelf EQ

Key Features.

-Push/Pull style Cut & Boost.

- Slope control.

-Width control.

Download LFS-1

HFS-1 - High frequency Shelf EQ

Key Features.

-Push/Pull style Cut & Boost.

- Slope control.

Download HFS-1

LPF-1 - Low-Pass Filter

Key Features.

- Slope control.

-Extended range mode

Download LPF-1

HPF-1 - High-Pass Filter

Key Features.

- Slope control.

-Extended range mode

Download HPF-1

SUB-1 - Low Frequency Management

Key Features.
- 0-200 hz High-Pass/ Low-Pass modes
- Filter / Shelf EQ modes
- Slope width
- Cut / Boost

Download SUB-1

Multi-Band Compressor with independent external sidechain capability. (For each band!) (You asked for it kids)

Key Features.
- Phase/Time aligned 3 Band divider.
- Feed-Forward compression
- Detection Filters & Drive
- Key listen
- Side-Chain
- Musical

Download - multi-comp-1 win VST

Download - Manual

Tutorials -

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After hearing “I wish I could afford those plug-ins” I was inspired to make VST versions of my modular created compressors.

These cover just about all compression needs for musical applications. I have included a Feed-Forward, Feed-Back, & Side-chain compressor to use as you feel necessary. I have also added optional detection circuit Filters, & Drive stage for all the vintage sounding or modern punchy color you could want. (Tip-Use the listen functional to setup your detection Key). Have fun.

More info:

Feed Forward designs take the control voltage directly from the input, and are generally more suited for fast Attack work. However a bit of practice is required as threshold, attack, and release affect the sound differently depending on the feed structure.

Feed Back compressors take some of their control voltage from the output, which is often interpreted as more musical-sounding. However a bit of practice is required.

Key Features.
- The choice between both Feed-Forward or Feed-Back designs
- Detection Filters & Drive
- Key listen
- Side-Chain
- Channel Link/Unlink
- Musical

If you find these tools useful please donate what you can. Donate Link.

Download - Manual

Download - Feed-Back Comp-1

Download - Feed-Back Comp-1-mono

Download - Feed-Forward Comp-1

Download - Feed-Forward Comp-1-mono

Download - Feed-Forward Side-Chain Comp-1

Download - Feed-Forward Side-Chain Comp-1-mono