Module Series
May 10th, 2008
Audio Processing Modules - Dynamics/Gate - EQ/Filter - Enhance/Color
For NAG free versions pay what want. Pay what you feel these are worth.
Price = $YouDecide
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Dynamics/Gate -

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FFC-1 - Feed-Forward Compressor
Key Features.
NEW - External Side-Chain Input
- Detection Filters & Drive
- Key listen
- Channel Link/Unlink
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LVA-1 - Leveling Amplifier
Key Features.
- Smooth characteristic
- Unlinked/Linked stereo image processing
- Detection Filters & Drive
- Key listen
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FBC-1 - Feed-Back Compressor
Key Features.
NEW - External Side-Chain Input
- Detection Filters & Drive
- Key listen
- Channel Link/Unlink
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LIM-1 - Hard/Soft Limiter
Key Features.
- Hard/Soft modes
- Channel Link/Unlink
- Classic limiter sound (Not to be confused with modern brick-wall limiters)
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OPT-1 - Optical Compressor
Key Features.
- External Side-Chain Input
- Detection Filters
- Optical Intensity
- Key listen
- Channel Link/Unlink
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EXP-1 - Dynamic Expander
Key Features.
- Restores dynamics
- Fast attack capability
- Detection Filters
- Key listen
- Channel Link/Unlink
- External Side-Chain Input for creative effects.
Sharing many of the same components of the widely liked FFC-1, EXP-1 is it’s reverse parter in crime.
Need to restore some dynamics to a squished mix, To much reverb on those drums tracks, or want to key trigger a synth pad off a sidechain? Check this guy out.
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GMP-1 - Gate.
Key Features.
- Fast attack with attack smooth.
- 0% noise floor 100% reduction
- Side-Chain
- Channel-Link/Unlink (stereo operation)
Gates are widely overlooked tools. Unlike some this gate is designed to give clean fast attack with drums/bass in mind.
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EQ/Filters -

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FSP-1 - Filter-Shelving-Parametric-Equalizer
Key Features.
- Classic EQ functionality
- HighPass filter
- Dual Q modes
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GEQ-1 - 10 band equalizer
Key Features.
- 10 bands of equalization
- 13 dB of boost/cut per band
-”Proportional Q” narrows filter Q at extremes
- Q width control.
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P3Q-1 - 3-Band Parametric EQ
Key Features.
- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.
- Hyper extended Q
- EQ IN switch for A/B comparison
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EQH-1 - High frequency EQ
Key Features.
- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.
- Hyper extended Q
- Band-pass to help select frequency to modify.
- (+/-) 30db of gain.
- 12 or 24db Filter Slopes.
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EQM-1 - Mid frequency EQ
Key Features.
- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.
- Hyper extended Q
- Band-pass to help select frequency to modify.
- (+/-) 30db of gain.
- 12 or 24db Filter Slopes.
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EQL-1 - Low frequency EQ
Key Features.
- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.
- Hyper extended Q
- Band-pass to help select frequency to modify.
- (+/-) 30db of gain.
- 12 or 24db Filter Slopes.
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Peak-1 - Low frequency EQ
Key Features.
-Push/Pull style Cut & Boost.
- Slope control.
-Width control.
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Peak-2 - Mid-Range frequency EQ
Key Features.
-Push/Pull style Cut & Boost.
-Slope control.
-Width control.
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Peak-3 - High frequency EQ
Key Features.
-Push/Pull style Cut & Boost.
-Slope control.
-Width control.
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LFS-1 - Low frequency Shelf EQ
Key Features.
-Push/Pull style Cut & Boost.
-Slope control.
-Width control.
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HFS-1 - High frequency Shelf EQ
Key Features.
-Push/Pull style Cut & Boost.
-Slope control.
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LPF-1 - Low-Pass Filter
Key Features.
-Slope control.
-Extended range mode
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HPF-1 - High-Pass Filter
Key Features.
-Slope control.
-Extended range mode
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SUB-1 - Low Frequency Management
Key Features.
- 0-200 hz High-Pass/ Low-Pass modes
- Filter / Shelf EQ modes
- Slope width
- Cut / Boost
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Enhance/Color -

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SAT-1 - Saturation Enhancer
Key Features.
- Tape/Tube Models
- Flexible design to provide both subtle & extreme coloring.
- Soft-Clip Limiter
- Wet/Dry Control
MSD-1 - Mid/Side Decoder
Key Features.
- Made to decode M/S recorded signals. (M/S Microphones)
- Mid/Side level control
- Mid/Side polarity
i/o info =
input 1 = Mid
input 2 = Side
output 1&2 = M/S mix
MSE-1 - Mid/Side Encoder
Key Features.
- Made to encode & separate stereo signals into Mid/Side information. (Tip use both the encoder & decoder inline to process stereo content.)
- Can decrease or extract Mid/Side information. ( extract ambiance from a recording. Raise or cancel out center channel vocals.
- Mid/Side level control
- Mid/Side polarity
i/o info =
input 1&2 = stereo input
output 1&2 = M/S split or mix




thanx for sharing these and your other plug-ins,they are really really good,nice work
Comment by S-N-S — May 10, 2008 @ 5:02 am
Unbelievable, that these are FREE. Thanks.
Comment by pattonfreak1 — May 10, 2008 @ 5:15 am
Great work, sir! Thanks!
Comment by pandashake — May 10, 2008 @ 8:32 am
Wonderfull stuff, well done. Thanks.
Comment by Dj Groovy — May 11, 2008 @ 4:12 am
Dude- your passion, knowledge, and love for music is only challenged by your generousity. You’re the gooderest!
Comment by ughnonumus — May 11, 2008 @ 11:08 pm
The leveling amplifier is much appreciated.
Comment by RunBeerRun — May 13, 2008 @ 3:51 pm
[...] Beam has released Module Series, a number of EQ, compressor and filter audio processing modules for Windows [...]
Pingback by Eric Beam Module Series, freeware EQ, compressor and filter audio processing modules for Windows PC — May 14, 2008 @ 12:46 am
[...] Beam has released Module Series, a number of EQ, compressor and filter audio processing modules for Windows [...]
Pingback by Eric Beam Module Series, freeware EQ, compressor and filter audio processing modules for Windows PC — May 14, 2008 @ 12:46 am
Great suite.
If they sound as good as they look, I am in for a treat.
Comment by Neil Wilkes — May 14, 2008 @ 4:01 am
[...] style plug ins Found this on harmony central, and i thought i should post it here. http://www.rhythminmind.net/presetbl…module-series/ original thread http://acapella.harmony-central.com/….php?t=1979680 __________________ [...]
Pingback by Lunchbox style plug ins - Ultimate Metal Forum — May 18, 2008 @ 8:25 pm
Eric,
I’m “Black Bart” at Reaper. I just donated $100…hopefully that’ll help keep you coding. Thanks for the input volume on the 3 band.
I’m in Sherman Oaks…chief engineer at Megatrax, a music library company. I’ll stay in touch and send you comments as I keep working with your stuff. You’re welcome to email me any time.
thanks again,
Eddie King
Comment by Eddie King — May 19, 2008 @ 3:11 pm
These really sound beautiful. Thanks for Sharing em
Comment by Neb — May 22, 2008 @ 12:29 pm
wow, “god is the detail”
…very nice works…thx
<2°TRo²³
Comment by tERMoBLUe — May 28, 2008 @ 8:12 am
I WILL BE TESTING ALL NITE THX. M
Comment by minorp — May 28, 2008 @ 9:01 pm
Thank you so much sir.
Comment by Jon — May 31, 2008 @ 2:13 pm
These plugins kick butt. The clear rock solid sound quality is beyond my expectations. I’ve dumped most of my other plugins. Also the mixes come out alot smoother which results in less time mastering. I’ll be making a donation next paycheck to get rid of nags, It will definately be worth it. Hopefully aid you in continuing to create usefull high quality plugins
Comment by Bill Gary — June 10, 2008 @ 6:41 am
[...] Beam has released a few more Module Series [...]
Pingback by Eric Beam GEQ-1, GMP-1 and FSP-1, three new VST effect plug-ins in the Module Series — June 15, 2008 @ 11:30 pm