Module Series
by rhythminmind on May.10, 2008, under Compression, Equalization, Filter, Plugins, Utility
Audio Processing Modules – Dynamics/Gate – EQ/Filter – Enhance/Color
For NAG free versions pay what want. Pay what you feel these are worth.
Price = $YouDecide
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Dynamics/Gate -

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FFC-1 - Feed-Forward Compressor
Key Features.
NEW – External Side-Chain Input
- Detection Filters & Drive
- Key listen
- Channel Link/Unlink
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LVA-1 - Leveling Amplifier
Key Features.
- Smooth characteristic
- Unlinked/Linked stereo image processing
- Detection Filters & Drive
- Key listen
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FBC-1 - Feed-Back Compressor
Key Features.
NEW – External Side-Chain Input
- Detection Filters & Drive
- Key listen
- Channel Link/Unlink
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LIM-1 - Hard/Soft Limiter
Key Features.
- Hard/Soft modes
- Channel Link/Unlink
- Classic limiter sound (Not to be confused with modern brick-wall limiters)
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OPT-1 - Optical Compressor
Key Features.
- External Side-Chain Input
- Detection Filters
- Optical Intensity
- Key listen
- Channel Link/Unlink
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EXP-1 - Dynamic Expander
Key Features.
- Restores dynamics
- Fast attack capability
- Detection Filters
- Key listen
- Channel Link/Unlink
- External Side-Chain Input for creative effects.
Sharing many of the same components of the widely liked FFC-1, EXP-1 is it’s reverse parter in crime.
Need to restore some dynamics to a squished mix, To much reverb on those drums tracks, or want to key trigger a synth pad off a sidechain? Check this guy out.
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GMP-1 - Gate.
Key Features.
- Fast attack with attack smooth.
- 0% noise floor 100% reduction
- Side-Chain
- Channel-Link/Unlink (stereo operation)
Gates are widely overlooked tools. Unlike some this gate is designed to give clean fast attack with drums/bass in mind.
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EQ/Filters -

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FSP-1 - Filter-Shelving-Parametric-Equalizer
Key Features.
- Classic EQ functionality
- HighPass filter
- Dual Q modes
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GEQ-1 - 10 band equalizer
Key Features.
- 10 bands of equalization
- 13 dB of boost/cut per band
-”Proportional Q” narrows filter Q at extremes
- Q width control.
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P3Q-1 - 3-Band Parametric EQ
Key Features.
- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.
- Hyper extended Q
- EQ IN switch for A/B comparison
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EQH-1 – High frequency EQ
Key Features.
- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.
- Hyper extended Q
- Band-pass to help select frequency to modify.
- (+/-) 30db of gain.
- 12 or 24db Filter Slopes.
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EQM-1 – Mid frequency EQ
Key Features.
- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.
- Hyper extended Q
- Band-pass to help select frequency to modify.
- (+/-) 30db of gain.
- 12 or 24db Filter Slopes.
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EQL-1 – Low frequency EQ
Key Features.
- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.
- Hyper extended Q
- Band-pass to help select frequency to modify.
- (+/-) 30db of gain.
- 12 or 24db Filter Slopes.
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Peak-1 – Low frequency EQ
Key Features.
-Push/Pull style Cut & Boost.
- Slope control.
-Width control.
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Peak-2 – Mid-Range frequency EQ
Key Features.
-Push/Pull style Cut & Boost.
-Slope control.
-Width control.
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Peak-3 – High frequency EQ
Key Features.
-Push/Pull style Cut & Boost.
-Slope control.
-Width control.
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LFS-1 – Low frequency Shelf EQ
Key Features.
-Push/Pull style Cut & Boost.
-Slope control.
-Width control.
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HFS-1 – High frequency Shelf EQ
Key Features.
-Push/Pull style Cut & Boost.
-Slope control.
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LPF-1 – Low-Pass Filter
Key Features.
-Slope control.
-Extended range mode
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HPF-1 – High-Pass Filter
Key Features.
-Slope control.
-Extended range mode
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SUB-1 - Low Frequency Management
Key Features.
- 0-200 hz High-Pass/ Low-Pass modes
- Filter / Shelf EQ modes
- Slope width
- Cut / Boost
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Enhance/Color -

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SAT-1 - Saturation Enhancer
Key Features.
- Tape/Tube Models
- Flexible design to provide both subtle & extreme coloring.
- Soft-Clip Limiter
- Wet/Dry Control
MSD-1 - Mid/Side Decoder
Key Features.
- Made to decode M/S recorded signals. (M/S Microphones)
- Mid/Side level control
- Mid/Side polarity
i/o info =
input 1 = Mid
input 2 = Side
output 1&2 = M/S mix
MSE-1 - Mid/Side Encoder
Key Features.
- Made to encode & separate stereo signals into Mid/Side information. (Tip use both the encoder & decoder inline to process stereo content.)
- Can decrease or extract Mid/Side information. ( extract ambiance from a recording. Raise or cancel out center channel vocals.
- Mid/Side level control
- Mid/Side polarity
i/o info =
input 1&2 = stereo input
output 1&2 = M/S split or mix
18 comments for this entry:
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[...] Beam has released Module Series, a number of EQ, compressor and filter audio processing modules for Windows [...]
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[...] Beam has released Module Series, a number of EQ, compressor and filter audio processing modules for Windows [...]
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[...] style plug ins Found this on harmony central, and i thought i should post it here. http://www.rhythminmind.net/presetbl…module-series/ original thread http://acapella.harmony-central.com/….php?t=1979680 __________________ [...]
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[...] Beam has released a few more Module Series [...]
May 10th, 2008 on 5:02 am
thanx for sharing these and your other plug-ins,they are really really good,nice work
May 10th, 2008 on 5:15 am
Unbelievable, that these are FREE. Thanks.
May 10th, 2008 on 8:32 am
Great work, sir! Thanks!
May 11th, 2008 on 4:12 am
Wonderfull stuff, well done. Thanks.
May 11th, 2008 on 11:08 pm
Dude- your passion, knowledge, and love for music is only challenged by your generousity. You’re the gooderest!
May 13th, 2008 on 3:51 pm
The leveling amplifier is much appreciated.
May 14th, 2008 on 4:01 am
Great suite.
If they sound as good as they look, I am in for a treat.
May 19th, 2008 on 3:11 pm
Eric,
I’m “Black Bart” at Reaper. I just donated $100…hopefully that’ll help keep you coding. Thanks for the input volume on the 3 band.
I’m in Sherman Oaks…chief engineer at Megatrax, a music library company. I’ll stay in touch and send you comments as I keep working with your stuff. You’re welcome to email me any time.
thanks again,
Eddie King
May 22nd, 2008 on 12:29 pm
These really sound beautiful. Thanks for Sharing em
May 28th, 2008 on 8:12 am
wow, “god is the detail”
…very nice works…thx
<2°TRo²³
May 28th, 2008 on 9:01 pm
I WILL BE TESTING ALL NITE THX. M
May 31st, 2008 on 2:13 pm
Thank you so much sir.
June 10th, 2008 on 6:41 am
These plugins kick butt. The clear rock solid sound quality is beyond my expectations. I’ve dumped most of my other plugins. Also the mixes come out alot smoother which results in less time mastering. I’ll be making a donation next paycheck to get rid of nags, It will definately be worth it. Hopefully aid you in continuing to create usefull high quality plugins
October 18th, 2008 on 6:19 am
very good plug ins !!!