rulururu

post Buss Compressor Beta

July 21st, 2008

Filed under: Compression — rhythminmind @ 5:51 pm

For a NAG free version pay what want. Pay what you feel these are worth.


Price = $YouDecide

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Buss Compressor Beta now open.

Download - Beta

Features -

Soft/Hard Knee compression

M/S encoding Key input “Fine tunes the compressor focus”

post URS Classic Console Strip Pro analyzed.

July 6th, 2008

Filed under: Classic Console Strip Pro — admin @ 11:51 pm

Input stage curves.

0 to 200% sweeps.

Ever want to know what the input stages are doing? The input stages not only effect the tonal quality but more importantly change the Key response to the compressor.

(more…)

post URS saturation analyzed.

July 6th, 2008

Filed under: Saturation — admin @ 10:42 pm

URS Saturation Plug-in

Intensity sweeps of the saturation modes. Here you can see the added harmonic content.

(more…)

post MFM2 self automated mangler

June 17th, 2008

Filed under: MFM2 — admin @ 1:57 pm

Self automated mangler
Info - LFO3 is used as a stepping on/off switch for the effect. Change the number of steps to your liking. I left it on 10 steps for a more random feel.

MP3 Example

Download-Preset

post Snap Crackle Pop (& Boom) Drum Vitalizer VST

June 3rd, 2008

Filed under: Drum, vst — admin @ 5:43 pm

For a NAG free version pay what want. Pay what you feel these are worth.


Price = $YouDecide

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Snap Crackle Pop (& Boom) Drum Vitalizer VST

Features.
Brings life to dull or badly recorded drums by adding synthetic body, subs, or attack.
- Independent stereo response
- Boom/Pop level control
- Crackle/Snap level control
- Clean signal amount
- Attack & decay response

Download

post MBD-1 Multi-Band Distortion

May 20th, 2008

Filed under: vst — rhythminmind @ 5:18 pm

For a NAG free version pay what want. Pay what you feel these are worth.


Price = $YouDecide

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MBD-1 Multi-Band Distortion

Key Features.
- Up to 3 Stages of distortion with 20 modes each + bypass.
- Pre/Post Gain
- Distortion amount, including negative values.
- Full Mix & Individual Outputs for modular hosts. Great for post processing of individual bands.
- Visual scope to see the destruction.
- Nice N Smooth or with all 3 stages as Evil as you want.

Potential Excessive Gain Warning! A post chain compressor is recommend.

Download - MBD-1k

Download - MBD-1 button style stage select version

Audio Demo - Heavly distorted live drums.

post EEQ-2

May 19th, 2008

Filed under: Equalization — rhythminmind @ 5:58 pm

For a NAG free version pay what want. Pay what you feel these are worth.


Price = $YouDecide

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EEQ-2 & EEQ-2H - Classic EQ.

Inspired by the 1073 this EQ is a blend of classic functionality with modern features.

Key Features.

- 3 Band with HP/LP filters.
- Shelf or Peak modes
- +/- 18db Gain
- 12/24db Filter slopes
- Extended musical width (Q)
- Band/Filter Bypass
- Usable

Download EEQ-2

Download EEQ-2H

post Module Series

May 10th, 2008

Filed under: Compression, Equalization, Filter, Utility, vst — rhythminmind @ 4:32 am

Audio Processing Modules - Dynamics/Gate - EQ/Filter - Enhance/Color

For NAG free versions pay what want. Pay what you feel these are worth.


Price = $YouDecide

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Dynamics/Gate -

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FFC-1 - Feed-Forward Compressor

Key Features.
NEW - External Side-Chain Input
- Detection Filters & Drive
- Key listen
- Channel Link/Unlink

Download FFC-1

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LVA-1 - Leveling Amplifier

Key Features.
- Smooth characteristic
- Unlinked/Linked stereo image processing
- Detection Filters & Drive
- Key listen

Download LVA-1

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FBC-1 - Feed-Back Compressor

Key Features.
NEW - External Side-Chain Input
- Detection Filters & Drive
- Key listen
- Channel Link/Unlink

Download FBC-1

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LIM-1 - Hard/Soft Limiter

Key Features.
- Hard/Soft modes
- Channel Link/Unlink
- Classic limiter sound (Not to be confused with modern brick-wall limiters)

Download LIM-1

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OPT-1 - Optical Compressor

Key Features.
- External Side-Chain Input
- Detection Filters
- Optical Intensity
- Key listen
- Channel Link/Unlink

Download - OPT-1

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EXP-1 - Dynamic Expander

Key Features.
- Restores dynamics
- Fast attack capability
- Detection Filters
- Key listen
- Channel Link/Unlink
- External Side-Chain Input for creative effects.

Sharing many of the same components of the widely liked FFC-1, EXP-1 is it’s reverse parter in crime.
Need to restore some dynamics to a squished mix, To much reverb on those drums tracks, or want to key trigger a synth pad off a sidechain? Check this guy out.

Download EXP-1

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GMP-1 - Gate.

Key Features.
- Fast attack with attack smooth.
- 0% noise floor 100% reduction
- Side-Chain
- Channel-Link/Unlink (stereo operation)

Gates are widely overlooked tools. Unlike some this gate is designed to give clean fast attack with drums/bass in mind.

Download - GMP-1

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EQ/Filters -

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FSP-1 - Filter-Shelving-Parametric-Equalizer

Key Features.
- Classic EQ functionality
- HighPass filter
- Dual Q modes

Download - FSP-1

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GEQ-1 - 10 band equalizer

Key Features.
- 10 bands of equalization
- 13 dB of boost/cut per band
-”Proportional Q” narrows filter Q at extremes
- Q width control.

Download - GEQ-1

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P3Q-1 - 3-Band Parametric EQ

Key Features.
- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.
- Hyper extended Q
- EQ IN switch for A/B comparison

Download P3Q-1

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EQH-1 - High frequency EQ

Key Features.

- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.
- Hyper extended Q
- Band-pass to help select frequency to modify.
- (+/-) 30db of gain.
- 12 or 24db Filter Slopes.

Download EQH-1

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EQM-1 - Mid frequency EQ

Key Features.
- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.
- Hyper extended Q
- Band-pass to help select frequency to modify.
- (+/-) 30db of gain.
- 12 or 24db Filter Slopes.

Download EQM-1

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EQL-1 - Low frequency EQ

Key Features.
- FPC mode (Filter Phase Compensation). EQ’s by nature modify the phase of the frequencies they boost/cut. FPC reintroduces the phase canceled signals from the EQ filters. This may or may not be desired depending on the EQ application.
- Hyper extended Q
- Band-pass to help select frequency to modify.
- (+/-) 30db of gain.
- 12 or 24db Filter Slopes.

Download EQL-1

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Peak-1 - Low frequency EQ

Key Features.
-Push/Pull style Cut & Boost.
- Slope control.
-Width control.

Download Peak-1

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Peak-2 - Mid-Range frequency EQ

Key Features.
-Push/Pull style Cut & Boost.
-Slope control.
-Width control.

Download Peak-2

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Peak-3 - High frequency EQ

Key Features.
-Push/Pull style Cut & Boost.
-Slope control.
-Width control.

Download Peak-3

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LFS-1 - Low frequency Shelf EQ

Key Features.
-Push/Pull style Cut & Boost.
-Slope control.
-Width control.

Download LFS-1

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HFS-1 - High frequency Shelf EQ

Key Features.
-Push/Pull style Cut & Boost.
-Slope control.

Download HFS-1

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LPF-1 - Low-Pass Filter

Key Features.
-Slope control.
-Extended range mode

Download LPF-1

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HPF-1 - High-Pass Filter

Key Features.
-Slope control.
-Extended range mode

Download HPF-1

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SUB-1 - Low Frequency Management

Key Features.
- 0-200 hz High-Pass/ Low-Pass modes
- Filter / Shelf EQ modes
- Slope width
- Cut / Boost

Download SUB-1

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Enhance/Color -

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SAT-1 - Saturation Enhancer

Key Features.
- Tape/Tube Models
- Flexible design to provide both subtle & extreme coloring.
- Soft-Clip Limiter
- Wet/Dry Control

Download - SAT-1

MSD-1 - Mid/Side Decoder

Key Features.
- Made to decode M/S recorded signals. (M/S Microphones)
- Mid/Side level control
- Mid/Side polarity

i/o info =
input 1 = Mid
input 2 = Side
output 1&2 = M/S mix

Download MSD-1

MSE-1 - Mid/Side Encoder

Key Features.
- Made to encode & separate stereo signals into Mid/Side information.  (Tip use both the encoder & decoder inline to process stereo content.)
- Can decrease or extract Mid/Side information. ( extract ambiance from a recording. Raise or cancel out center channel vocals.
- Mid/Side level control
- Mid/Side polarity

i/o info =
input 1&2 = stereo input
output 1&2 = M/S split or mix

Download MSE-1

post EQ-1

May 8th, 2008

Filed under: Equalization, vst — rhythminmind @ 1:56 am

EQ-1

Download - 5-Band

Download - 3-Band

When your GoTo EQ just doesn’t cut it.

5-Band

Features

-Input Gain

- High-Pass Filter

- Low Frequency Shelf

- 3 Full-range Bands with Bandwidth control.

- High Frequency Shelf

- Low-Pass Filter

- Cut/Boost

- Phase Flop

- “Edge” = steep filter slope enable.

- “IN” = Enable/Disable

3-Band

Features

-Input Gain

- High-Pass Filter

- Low Frequency Shelf

- 1 Full-range Bands with Bandwidth control.

- High Frequency Shelf

- Low-Pass Filter

- Cut/Boost

- Phase Flop

- “Edge” = steep filter slope enable.

- “IN” = Enable/Disable

post Schematic & SchematEQ

May 7th, 2008

Filed under: Equalization, Utility, vst — rhythminmind @ 9:51 am

Schematic & SchematEQ

Schematic for (semi)-Modular hosts

Download - schematic.dll

Features.

- 100% Phase/Time aligned frequency divider.

- 8 stereo independent bands

- Gain/Attenuation & Mute for each band.

- I/O = 2in - 8out

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SchematEQ

Download - schemateq.dll

Features.

- 100% phase-less frequency divider.

- 8 stereo independent bands

- Gain/Attenuation & Mute for each band.

- I/O = 2in - 2out

(more…)

post Multi Comp-1

April 30th, 2008

Filed under: Compression, vst — rhythminmind @ 6:05 pm

Multi-Band Compressor with independent external sidechain capability. (For each band!) (You asked for it kids)

Key Features.
- Phase/Time aligned 3 Band divider.
- Feed-Forward compression
- Detection Filters & Drive
- Key listen
- Side-Chain
- Musical

Download - multi-comp-1 win VST

Download - Manual

Tutorials -

(more…)

post Feed-Back Comp-1 & Feed-Forward Comp-1 /SC

April 29th, 2008

Filed under: Compression, vst — rhythminmind @ 5:58 pm

After hearing “I wish I could afford those plug-ins” I was inspired to make VST versions of my modular created compressors.

These cover just about all compression needs for musical applications. I have included a Feed-Forward, Feed-Back, & Side-chain compressor to use as you feel necessary. I have also added optional detection circuit Filters, & Drive stage for all the vintage sounding or modern punchy color you could want. (Tip-Use the listen functional to setup your detection Key). Have fun.

More info:

Feed Forward designs take the control voltage directly from the input, and are generally more suited for fast Attack work. However a bit of practice is required as threshold, attack, and release affect the sound differently depending on the feed structure.

Feed Back compressors take some of their control voltage from the output, which is often interpreted as more musical-sounding. However a bit of practice is required.

Key Features.
- The choice between both Feed-Forward or Feed-Back designs
- Detection Filters & Drive
- Key listen
- Side-Chain
- Channel Link/Unlink
- Musical

If you find these tools useful please donate what you can. Donate Link.

Download - Manual

Download - Feed-Back Comp-1

Download - Feed-Back Comp-1-mono

http://www.rhythminmind.net/presetblog/wp-content/uploads/2008/04/ffb.png

Download - Feed-Forward Comp-1

Download - Feed-Forward Comp-1-mono

Download - Feed-Forward Side-Chain Comp-1

Download - Feed-Forward Side-Chain Comp-1-mono

post FILTER-1 & ADSR-1 - VST

April 21st, 2008

Filed under: Filter, Utility, vst — rhythminmind @ 9:04 pm

Modular MIDI controlled FILTER & ADSR. Ever need one more envelope controlled filter for a synth? Or wanted to play audio thru a envelope controlled AMP? Well holy shit two simple plugs that do just that. Just cause your that cool.

http://www.rhythminmind.net/presetblog/wp-content/uploads/2008/04/filter-1.png

Download FILTER-1

http://www.rhythminmind.net/presetblog/wp-content/uploads/2008/04/adsr-1.png

Download ADSR-1

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