The Little BOOM That Could – MFB-522 Sample Set
by rhythminmind on Jul.02, 2009, under MFB, RAW, Samples
Overview
The Drumcomputer MFB-522 is an all analog boutique Drum Synth. It’s deceivingly small size produces HUGE sound. A call back to the TR-808. If you want the 808 vibe but are sick of the overused 808 samples available, this is for you.
9 analog instruments captured @ 24bit/96k & RNLA compression for a little added edge.
Five/Six individual velocity samples per instrument.
Format = Stereo 24/96 .wav
Price = Donationware You Decide
PCM 70 Version 2 Impulse Set.
by rhythminmind on Jun.24, 2009, under Impulse Sets, Lexicon
Price = Donationware You Decide
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Goal = capture the Lexicon PCM 70 Version 2 Registers.
Version 2 of the PCM 70 has a handful of registers not available in later revisions. (You can find Ver 3 impulses HERE)
Impulse Resolution = 24bit 48k Stereo
PCM 70 Ver 2 & Ver 3 SysEx Preset Registers.
by rhythminmind on Jun.23, 2009, under Lexicon
The PCM 70 Ver 2 & Ver 3 have completely different Preset Registers. Many upgraded to Ver 3 to gain the Inverse Room algorithm but lost the coveted Ver 2 Preset Registers in the process.
These are the SysEx register dumps from both Ver 2 & 3 for all to enjoy.
Lexicon-PCM-70-Ver-2.syx (Thank you Karl Lund)
Lexicon-PCM-70-Ver-3-without-row-6-for-ver-2-Reg.syx
Use a SysEx utilty to send them to the PCM 70 Registers.
True M7 – Impulse Pack
by rhythminmind on Jun.18, 2009, under Impulse Sets
Help support this site’s bandwidth fund & efforts..
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Like true stereo hardware, true stereo IRs process both the Left & Right channels independently for a more accurate & detailed emulation.
Goal = Capture True Stereo IR programs from the “legend in its own time” Bricasti Design M7 Stereo Reverb Processor.
228 impulse files capturing the Ambience, Chamber, Hall, Plate, Room, & Space Registers.
Independent IR’s from both the Left & Right inputs. No post processing pseudo stereo expansion, phase shifting, or unrap has been used to give the illusion of a stereo image.
I/O = AES Digital @ 24bit 96k
IR Resolution = 24bit 96k
True Stereo compatible convolution reverb recommended. (Check end of post for a manual routing alternative.) Recommended plug-ins : liquidsonics Reverberate, SIR2, Pristine Space
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Presets for Waves IR-1 Thanks to scanner - Bricasti M7 (True Stereo) – Waves IR-1 – Presets.zip
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MP3 comparison Demos:
Space Hardware
Space IR’s
Plate Hardware
Plate IR’s
Ambience Hardware
Ambience IR’s
Chamber Hardware
Chamber IR’s
Hall Hardware
Hall IR’s
You can thank Casey for the effort to make this happen.
Visit Bricasti Design for more information about their products.
For those without an all-in-one True Stereo compatible plug-in, you can manually route your channels via this method.
Moog Drum Two – For Live 8 Drum Rack
by rhythminmind on Jun.10, 2009, under Drum, Moog, Samples
Overview
This is the 2nd Moog Drum Rack Sample Set for Ableton Live 8 “Moog Drum Two”. (The 1st can be downloaded HERE.) You will find some nice deep tones in this set. Think 808 if it had a Minimoog filter. I’ve created pitch macros for each sample. Being that it is sampled @ 96k you have plenty of room to re-pitch those samples without quality loss for music production.
Captured @ 24bit/96k with Lynx converters & DBX 903 compression.
Analog Signal path = Moog Voyager-DBX 903’s-Console EQ-Dominator II- Lynx.
Six velocity samples per pad.
Download : Mirror :
To install, extract the Pack with Live into a folder of your choosing. Then open the extracted project & save the Drum Rack into your library.
Price = Donationware You Decide
Moog Drum One – For Live 8 Drum Rack
by rhythminmind on Jun.06, 2009, under Ableton Live, Drum, Moog, Samples
Overview
The Minimoog Voyager RME is an analog waveform sculpting masterpiece, especially with the add-on CV breakouts. Unlike many classic analog drum machines, the Voyager with its dual filters can create wonderful stereo imagery. I’ve taken the time to program detailed percussive patches & from these i’m creating sample sets. This is the 1st “Moog Drum One” Drum Rack for Ableton Live 8. (The 2nd can be downloaded HERE.)
Update: I’ve created pitch macros for each sample. Being that it is sampled @ 96k you have plenty of room to re-pitch those samples without quality loss for music production.
Captured @ 24bit/96k with Lynx converters & DBX 903 compression.
Analog Signal path = Moog Voyager-DBX 903’s-Console EQ-Dominator II- Lynx.
Six velocity samples per pad.
Download : Mirror : To install, extract the Pack with Live into a folder of your choosing. Then open the extracted project & save the Drum Rack into your library.
Price = Donationware You Decide
Moog Voyager / Minimonsta comparison
by rhythminmind on May.24, 2009, under Analysis, Moog, Synth Waveform
Out of nothing more then curiosity I wanted to know the fundamental differences between the Moog Voyager & Minimonsta. The filter is obvious so I didn’t even want to have that in the equation. I wanted to look at the raw building blocks, the oscillator waveforms. These are my results.
MP3
voyager-saw
Minimonsta-saw
voyager-tri
Minimonsta-tri
voyager-square
Minimonsta-square
24 bit WAV
voyager-saw
Minimonsta-saw
voyager-tri
Minimonsta-tri
voyager-square
Minimonsta-square
Visuals
Voyager-Saw

Minimonsta -Saw

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Voyager-tri

Minimonsta-tri

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Voyager-Square

Minimonsta -Square 
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The original test has the filters set to wide open on both synths. I don’t think the original ever fully takes the filter out of the picture. So with some further knob twiddling I have found if you add a little resonance on the voyager the wave shapes get pretty damn close. I’m thinking the voyager just has a wider filter range.
Voyager Saw + filter res

Voyager Square + filter res

H3000 Reverberation Impulse Response Pack
by rhythminmind on May.11, 2009, under Eventide, Impulse Sets
Price = Donationware You Decide
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Goal = capture the H3000 series Reverberation.
The expanded H3000 D/SX & H3000 SE Captured with 24bit Lynx converters @ the units maximum SR of 44,100.
Not many FX processors are as well known or compete with the H3000x & rightfully so. This widely used (some might say overused) device is a studio must have. Equally known for it’s crazy modulation FX it’s Reverbs are in a world of there own..
Contains 114 IR’s from the Band Delay, Dense Room, Mod Factory, MULTI-SHIFT, Patch Factory, Reverb Factory, Sweep Reverb, SWEPT COMBS, & ULTRA-TAP algorithms.
SPX990 Impulse Pack
by rhythminmind on May.06, 2009, under Impulse Sets, Yamaha
Price = Donationware You Decide
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Goal = capture the SPX990.
Captured with 24bit Lynx converters @ the units maximum SR of 44,100.
The 990 is a studio gem. The European development team that helped create the presets really make this unit stand out from the rest of the series.
Contains IR’s from the REVERB: Reverb *2, Filtered Reverb *2, Stereo Reverb *1, Echo Room *2; EARLY REFLECTIONS: Thin Early Reflection *2, Fat Early Reflection *2, Gate Reverb *2, Reverse Gate *2 algorithms.
Link = Download
The Reverb 6000 Music Pack
by rhythminmind on Apr.09, 2009, under Impulse Sets, TC
Price = Donationware You Decide
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Goal = capture music programs from the flagship studio standard 6000 reverb @ it’s maximum resolution.
131 impulse files capturing the VSS4 HD, VSS3, Reverb 3, Nonlin 2, & DVR 2 algorithms. Containing both Factory & User defined programs.
I/O = AES Digital @ 24bit 96k
Mopho Presets
by rhythminmind on Apr.09, 2009, under DSI, Hardware, Mopho, Presets
Ever growing collection of User Programs/Bank presets for use with the DS Mopho. Please feel free to post links to your creations in the comment section or email them to me direct. I’ll update the list as it grows.
Programs
By : Eric Beam
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By: Binky
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By: Lea Rogers
- lea.zip
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Banks
Tech
Use the Mopho SoundEditor to create & load program/banks
Lexicon 480L Impulse set
by rhythminmind on Mar.27, 2009, under Impulse Sets, Lexicon, Presets
Price = Donationware You Decide
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Goal = capture the studio standard Lexicon 480L .
53 impulse files capturing the Ambience, Hall, Plate, Random Hall, & Room algorithms. Containing both Factory & User defined registers.
I/O = Analog via Lynx Aurora @ 24bit
Unit info – Dual 480L’s located @ POP Sounds studio A
Compressor Examples, Tests, & Comparisons.
by rhythminmind on Mar.24, 2009, under Analysis, Compressor
I often find myself comparing/testing my arsenal of compressors of both hardware & plugins to find just the right tool for the sound. I have decided to organize an ever-growing collective pool of these examples as i create them. The intention is to have a audible reference of the different compressor characteristics.
For those that want to contribute, the more the better. Upload a before & after examples of the compressor being used. Or download my raw wav files & contribute to the list. Feel free to upload the examples into my drop box & I’ll post the results.
Drum Bus Comp Comparisons
No buss compression MP3
No buss compression WAV
SSl Duende Listen Mic Comp
SSL Duende Bus Comp.wav
SSL Duende Bus Comp.mp3
UAD SSL Bus Comp.wav
UAD SSL Bus Comp.mp3
WAVES SSL Bus Comp.wav
WAVES SSL Bus Comp.mp3
SSL Duende Channel Strip Comp
URS 1975
URS CSP
emi TG 12413 plugin
FMR RNLA
I usually use parallel compression so the listen mic & X-Comp are my most used for that task.
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Track Compression for Kick, Snare, & synth Bass
compressor-comparison-kick-raw-189.mp3
compressor-comparison-kick-raw-189.wav
compressor-comparison-snare-raw-190.mp3
compressor-comparison-snare-raw-190.wav
compressor-comparison-synth-bass-raw-191.mp3
compressor-comparison-synth-bass-raw-191.wav
compressor-comparison-dbx-165a-kick-196.mp3
compressor-comparison-dbx-165a-snare-197.mp3
compressor-comparison-dbx-165a-synth-bass-195.mp3
DBX 903
903-kick.wav
903-kick.mp3
903-snare.wav
903-snare.mp3
903-synth-bass.wav
903-synth-bass.mp3
DBX 160X
dbx-comparison-dbx-160x-kick.wav
dbx-comparison-dbx-160x-kick.mp3
dbx-comparison-dbx-160x-snare.wav
dbx-comparison-dbx-160x-snare.mp3
dbx-comparison-dbx-160x-synth-bass.wav
dbx-comparison-dbx-160x-synth-bass.mp3
DBX 166 blackface
compressor-comparison-dbx-166-kick-193.mp3
compressor-comparison-dbx-166-snare-192.mp3
compressor-comparison-dbx-166-synth-bass-194.mp3
DBX 586
compressor-comparison-dbx-586-kick-198.mp3
compressor-comparison-dbx-586-snare-199.mp3
compressor-comparison-dbx-586-synth-bass-200.mp3
Duende Channel comp
kick-duende.wav
kick-duende.mp3
snare-duende.wav
snare-duende.mp3
compressor-comparison-duende-channel-comp-synth-bass-209.mp3
UAD SSL Channel comp
uad_kick.wav
uad_kick.mp3
uad_snare.wav
uad_snare.mp3
FMR RNLA
compressor-comparison-rnla-kick-204.mp3
compressor-comparison-rnla-snare-205.mp3
compressor-comparison-rnla-synth-bass-206.mp3
Tampa
compressor-comparison-tampa-kick-201.mp3
compressor-comparison-tampa-snare-202.mp3
compressor-comparison-tampa-synth-bass-203.mp3
URS 1970
compressor-comparison-urs-1970-kick-210.mp3
compressor-comparison-urs-1970-snare-211.mp3
compressor-comparison-urs-1970-synth-bass-212.mp3
URS 1975
compressor-comparison-urs-1975-kick-213.mp3
compressor-comparison-urs-1975-snare-214.mp3
compressor-comparison-urs-1975-synth-bass-215.mp3
URS 1980
compressor-comparison-urs-1980-kick-216.mp3
compressor-comparison-urs-1980-snare-217.mp3
compressor-comparison-urs-1980-synth-bass-218.mp3
AM-Track
compressor-comparison-am-track-kick-219.mp3
compressor-comparison-am-track-snare-220.mp3
compressor-comparison-am-track-synth-bass-221.mp3
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